In her large-format works on paper in watercolor technique titled “Instrumental”, the artist creates imagined infrastructures made of interconnected elements, evoking numerous associations—medical machines filled with tubes for liquids, bodily organs connected by veins and the nervous system, underwater creatures like protozoa, anemones, or jellyfish, as well as ancient ceramic vessels for liquids, such as amphorae.
Wysocka is interested in the motif of flow and circulation, which disrupts the boundaries of bodies and challenges traditional divisions. It allows all bodies (human, animal, or plant) to be seen as parts of larger, interdependent systems that are constantly changing, flowing through different forms and states.