The series of works on paper "Leaking in the Bestiary" was created using watercolor painting with elements of silk, which the artist acquires second-hand. The abstract, elongated, and oval forms evoke numerous associations with the underwater world (fish, seaweed, jellyfish), as well as, through the color palette, with human or animal organs and tissues. In the title, the artist refers to bestiaries, a medieval literary form in which real and fantastical animals were described, along with their moral and symbolic interpretations.
Wysocka is also interested in the motif of leaking, which, according to the watery posthumanist feminist phenomenology of Astrida Neimasis, characterizes all earthly beings—not as closed, isolated subjects, but as open, porous, leaky bodies in continuous motion. In this way, the artist questions and deconstructs familiar divisions and categories, presenting the world as a constant process of transformation.