Saturated in red, the semi-abstract print "Muscle" brings to mind associations with a clenching heart, muscle or genitals, and the finely rendered structure refers to the structure of tissues and other internal organs. The artist often thematizes sexuality and the corporeal materiality of all entities.
Wysocka refers to the philosophy of Jolanta Brach-Czaina, a Polish feminist phenomenologist who introduced a new ontology of everyday life, based on materiality, corporeality and fleshiness. The category of "metaphysics of meat" she proposed points to the material aspect of our existence, which is often overlooked and underestimated. The philosopher believes that only corporeality is the guarantee of our existence. Meat - its consumption, being meat for others, reproduction, decomposition, meaty relations - constitute the only and ultimate meaning of existence. Carnality is the fundamental principle of the operation of the universe and the creation of relationships with other entities.